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	Comments on: The big questions in the production process and why to answer them	</title>
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		By: How to decide if a scene makes sense in the context of the piece?		</title>
		<link>https://www.frague.at/the-big-questions-in-productions/#comment-28520</link>

		<dc:creator><![CDATA[How to decide if a scene makes sense in the context of the piece?]]></dc:creator>
		<pubDate>Sat, 14 Mar 2020 16:59:34 +0000</pubDate>
		<guid isPermaLink="false">https://www.frague.at/?p=2608#comment-28520</guid>

					<description><![CDATA[[&#8230;] To call this shot, it is important to know what you want to achieve with the production. [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] To call this shot, it is important to know what you want to achieve with the production. [&#8230;]</p>
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		<title>
		By: What is the World of the Piece and how to define it?		</title>
		<link>https://www.frague.at/the-big-questions-in-productions/#comment-28278</link>

		<dc:creator><![CDATA[What is the World of the Piece and how to define it?]]></dc:creator>
		<pubDate>Tue, 25 Feb 2020 20:04:46 +0000</pubDate>
		<guid isPermaLink="false">https://www.frague.at/?p=2608#comment-28278</guid>

					<description><![CDATA[[&#8230;] share something with an audience, we need to understand it first. The journey of sharing what we want to show starts with understanding the matter. To do so, we define the world of the [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] share something with an audience, we need to understand it first. The journey of sharing what we want to show starts with understanding the matter. To do so, we define the world of the [&#8230;]</p>
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		<title>
		By: How much does it cost to make a dance piece? &#124; FraGue Moser-Kindler		</title>
		<link>https://www.frague.at/the-big-questions-in-productions/#comment-28173</link>

		<dc:creator><![CDATA[How much does it cost to make a dance piece? &#124; FraGue Moser-Kindler]]></dc:creator>
		<pubDate>Sun, 16 Feb 2020 19:58:05 +0000</pubDate>
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					<description><![CDATA[[&#8230;] interested in doing something on their own is: &#8220;how much does it cost to make a piece&#8221;? This depends on your goals, and therefore I can not answer it. But I can show you how to answer it [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] interested in doing something on their own is: &#8220;how much does it cost to make a piece&#8221;? This depends on your goals, and therefore I can not answer it. But I can show you how to answer it [&#8230;]</p>
]]></content:encoded>
		
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		<title>
		By: Two different work modes for making real progress with your projects		</title>
		<link>https://www.frague.at/the-big-questions-in-productions/#comment-28088</link>

		<dc:creator><![CDATA[Two different work modes for making real progress with your projects]]></dc:creator>
		<pubDate>Mon, 10 Feb 2020 17:18:18 +0000</pubDate>
		<guid isPermaLink="false">https://www.frague.at/?p=2608#comment-28088</guid>

					<description><![CDATA[[&#8230;] you create a dance piece, clockmaker mode is answering the questions of what the piece is about and why you want to do it. Clockwork mode is creating the choreography, choosing the music, fix all [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] you create a dance piece, clockmaker mode is answering the questions of what the piece is about and why you want to do it. Clockwork mode is creating the choreography, choosing the music, fix all [&#8230;]</p>
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		<title>
		By: What are producer, choreograper and director doing in dance production?		</title>
		<link>https://www.frague.at/the-big-questions-in-productions/#comment-28044</link>

		<dc:creator><![CDATA[What are producer, choreograper and director doing in dance production?]]></dc:creator>
		<pubDate>Wed, 05 Feb 2020 17:19:36 +0000</pubDate>
		<guid isPermaLink="false">https://www.frague.at/?p=2608#comment-28044</guid>

					<description><![CDATA[[&#8230;] He is also the one who should keep an outside eye on the work and needs to flag when the involved artists lose their way &#8211; meaning that he tells the director and choreographer if they are missing the goal of the production as previously defined. Read about the big questions in the production process if you don’t know what I mean. [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] He is also the one who should keep an outside eye on the work and needs to flag when the involved artists lose their way &#8211; meaning that he tells the director and choreographer if they are missing the goal of the production as previously defined. Read about the big questions in the production process if you don’t know what I mean. [&#8230;]</p>
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		<title>
		By: Dance Theater Production in a Nutshell &#124; FraGue Moser-Kindler		</title>
		<link>https://www.frague.at/the-big-questions-in-productions/#comment-27907</link>

		<dc:creator><![CDATA[Dance Theater Production in a Nutshell &#124; FraGue Moser-Kindler]]></dc:creator>
		<pubDate>Sun, 26 Jan 2020 14:38:02 +0000</pubDate>
		<guid isPermaLink="false">https://www.frague.at/?p=2608#comment-27907</guid>

					<description><![CDATA[[&#8230;] is all the work that you usually do before you hit the rehearsal room. It consists of defining the 5 big W questions, being &#8220;what&#8221;, &#8220;why&#8221;, &#8220;where&#8221;, &#8220;when&#038;#82&#8230;. By far the most important ones are &#8220;what&#8221; and &#8220;why&#8221; because they will help [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] is all the work that you usually do before you hit the rehearsal room. It consists of defining the 5 big W questions, being &#8220;what&#8221;, &#8220;why&#8221;, &#8220;where&#8221;, &#8220;when&amp;#82&#8230;. By far the most important ones are &#8220;what&#8221; and &#8220;why&#8221; because they will help [&#8230;]</p>
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